As a portrait artist, faces are my 'thing', I enjoy creating them more then any other part of the horse, and have usually finished the face in the very early stages. On this guy I am only re-sculpting the bottom half of his face, as the eyes he already has are fine, they will get eyelashes, but that is it. So let's begin :) First assemble all the players. Pony, Apoxie Sculpt, for face work like this I use the Aves safety solvent for smoothing (it stays wetter for longer then the metho, and does not make the clay sticky like water) a soft cheapo brush. My sculpting tools are an orange (cuticle) stick, a sanded and shaped wooden skewer and a toothpick. Pony is ready, his face is already roughed up from where I dremeled his features off. Following my reference photos, I add to his profile, giving him more forehead, continuing right down and including the squishy bit between his nostrils. Once I think I have it 'about' right, I use my finger in the solven
Showing posts from October, 2011
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The big fulla is done, and up for sale! http://www.ebay.com.au/itm/250908569916?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649 I have chosen to list him on eBay, something different, and not sure if I am terribly comfortable with it just yet. Not that I have anything against eBay, I don't, I think it is a safe way to sell and buy, but the anticipation literally kills me, I am a nervous wreck till the last minute. Lots more photos on his Auction site. Painting finished ...back to sculpting, YAY!
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... is not my favourite part of customising unfortunately. I love watching the horse come to life, I love the end result, I love scouring the Internet looking for the perfect colour, but when it actually comes to applying the pastels, procrastination becomes my greatest talent. This time however I am using Jaime Baker's DVD's to paint. I have learnt that in most ways, I was doing it sorta right, but those few extra tips and tricks from an experienced artist have really made a huge difference to my style and technique. I feel that I am in control of my pastels, but not micro managing them as I used to. I have been able to loosen up and look at the horse as a whole, not just a little section at a time. I am also looking at my reference photos with new eyes, they have made me think about what technique I can use to get a certain effect. But best of all, my motivation and confidence to paint and create a realistic end result has increased 100%. Bloody brill